Wednesday, April 25, 2012
Monday, April 23, 2012
Sunday, April 22, 2012
Thursday, April 19, 2012
Wednesday, April 18, 2012
Monday, April 16, 2012
Tuesday, April 10, 2012
Wednesday, April 04, 2012
Monday, April 02, 2012
Friday, March 30, 2012
HELL TO PAY Book Launch Q.I. 2012
Sunday, April 1st I will be launching my new artist's book, HELL TO PAY in conjunction with Queens International 2012. Beer & wine will be SERVED!
3:00-4:00 pm ///Queens Museum
(2nd Floor Unisphere Gallery)
more info...
HELL TO PAY,
40 pages b&w offset, 8 x 6 inches
100# matte coated text + 100# cover + slipcover,
edition 400
$20 (cash at the event)
- or -
$25 U.S. domestic
$30 International
PayPal: hugscotty@gmail.com
Queens Museum DIRECTIONS by subway /// PLEASE NOTE: Due to track work, the (7) train is not running between Grand Central and Queensboro Plaza on weekends through April 2nd. DO NOT BE DISCOURAGED. THIS IS WHAT YOU DO: Take the (E) or (F) to 74th St / Roosevelt Ave in Jackson Heights Queens and THEN transfer to Flushing-bound (7) to Mets / Willets Point. THIS IN FACT IS FASTER THAN COMING ALL THE WAY FROM MANHATTAN ON THE 7.
Thursday, March 29, 2012
Monday, March 26, 2012
Saturday, March 24, 2012
Friday, March 23, 2012
Thursday, March 22, 2012
Tuesday, March 20, 2012
Thursday, March 15, 2012
Gilbert & George 1980
Around 1974 Gilbert & George began to make ordered rectangular grids of their imagery, a format they have followed and developed to the present day. ‘Crusade’ is an early example of their increasing use of colour. Having trained as sculptors, they were initially uncertain about how to use colour, adding only red at first to their black and white compositions. Here, there is a link between the title, which refers to military expeditions to the Holy Land undertaken by Christians in the Middle Ages, and the fact that the artists are holding the backs of the chairs as if they were crosses.
‘Fallen Leaves’ is one of a series of over a hundred works, collectively titled ‘Modern Fears’, which explicitly invoke death and decay. The artists have said of this period that “we felt the style of the Western world, the fabric of its life, was very threatened”. With this body of work they presented both the bleak horror and great beauty of life as they saw it in their immediate urban environment. The series depicts many figures who appear to be disenfranchised from mainstream society. ‘Fallen Leaves’, for example, depicts close up the inscrutable features of a local tramp.
Wednesday, March 14, 2012
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